The Importance of Being Earnest 4-21 Notes
Act 1
Ross at intro silhouette don't look like your in pain. smoother movement from frozen to moving
Clarence take two or three sandwiches
Clarence 2.7
Corey, act more earnest at beginning
Clarence 3.4
Clarence you are skipping around the page.
Pages end 2-3
Corey 3.17
Work on opening the cigarette case
Props, Bread and butter not english muffins
Clarence 4.13
Let the tea cart stand in-between Corey and Clarence, keeps you separated
Clarence Don't chew your words
Clarence 6.3
Corey 6.4
Clarence 6.13
Corey 7.1, 7.5
Clarence: Do you need more cucumber sandwiches? Less?
Colleen 9.2, 9.6,
Clarence 9.7
Colleen 9.8
Corey 10.12
Colleen, early entrance
Natalie good physicalsation this scene
Corey and Natalie Great last air kiss
Corey 13.5 13.7, 13.9, 14.10/12
Colleen 14.13, 15.1
Corey wait for the climax of the wedding march to say your line
Corey 15.6, 16.9
Corey don't act ilk your waiting for someone else to say their lines
Corey don't skip around the page, page 16
Corey don't fidget with your suit
Corey 17.20, 18.3
Natalie as soon as you begin to ask Jack what his address is, get out your journal and a pen
Clarence don't shake when freezing, and don't move once you have frozen
Act 2
Sophia don't walk in so loud
Sophia from wait till full stage is lit to move form silhouette
Truett 22.5
Props. Cecily's rose should be a lighter pink, not red
Truett, Sophia, Miles, good job on volume, articulate more
Truett- wait till Sophia and Miles are all the way off stage to say Horrid line.
Sound-only sound cues no other sounds
Sophia and miles, Don't exit hooked arms, exit looking like you are having a conversation
Truett and Clarence, Talk slower or articulate A LOT more.
Truett, 25.13, 19
Clarence, 25. 22
Corey. Top hat??
Corey, 26, 22
Miles, 27.5
Miles, good physicalization during "In Paris!" Monologe, don't fidget with your jacket, don't swing arms, don't fidget with your hands
Corey when you are unsure of your lines don't lose your physicalization
Truett 29.3
Corey and Clarence, while shaking hands be keen that Cecily is there, Corey keep track of her, when she leaves strong let go
Clarence ARTICULATE
Corey, at "Overdressed" good jazz hands
Matt when you say "the dog cart is at the door" proclaim it more, make a hand motion
Truett 32.16, 33.8, 34.7, 34.15
People who have to walk behind the psych don't walk to close or to fast near it, it moves
Truett 36.6
Natalie, good crazy laugh
Truett 37.5
Truett and Natalie, when Merriman Comes in change to be more formal
Props, we are missing food for the tea scene
Truett 39.20
Corey 40.2, 40.17
Clarence 41.8, 41.12
Corey 42.3, 42.7
Better on the Mufffin scene, still room for improvemnet
Act 3
Comic Three was better but wasn't synchronized. Watch other cast
Clarence 45.9
Ross, have your mom make the cousin for the poof, have her call mr. peerenboom
Colleen 45.16
Colleen 47.1
Corey, look like Gwendolen and Lady Bracknell are leaving, not just ladybracknell
Colleen47.9
Truett 48.2
Colleen 48.10
Corey 48.13
Corey act lie you won this id your triumf
Miles 50.5, sounded
Colleen you have reached a good balance of low and high, when chasuble says Prism walk towards him, attack him
Sophia when Lady bracknell talks to you turn around but don't walk away
Sophia, good look on your face when lady bracknell says the writing in Prisms book was bad
Corey, be more accurate with sounds off stage
Corey wings before you embrace prism, when you are chastising society talk to everyone not just prism
Timing off for end realization
Runner stage left handing Cecily her journal at curtain call
Gwendolen's Bag broke
Sophia only person we could understand the entire time, Natalie was a second best
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