Wednesday, April 27, 2011

Notes- 4-27-11

If there are images in this attachment, they will not be displayed. Download the original attachment

The Importance of Being Earnest Preview Show Notes

BUTLERS I NEED YOU TO TALK TO MR. SM ABOUT THE CURTAINS

4.27.2011

Pre-show

    Run crew, and actors don't walk behind the psyche, the movement is very odious

    Sound, we don' have to play every song for pre-show. We need to start at 7:30 sharp.

    If we do need to push start time back make sure the House manager and the stage manager talk.

    Make an announcement to not take pictures

Act One

    Ross try to stay steady

    Ross make it more odious that you want to hide the cucumber sandwiches

    Clarence please pro-nunciate. we are losing the ends of your words

    Pause if people laugh for long periods of time

    Run crew and actors don't walk to close to the psyche it causes movement

    Coery and Clarence, more game play between you two, Algernon knows that gwendolen is coming, use that to your advantage

    Corey you need to be at the food sooner, no pause

    Corey, more tension about algernon reading the cigarette case

    Clarence practice opening the cigarette case

    Clarence 4.14

    Clarence we are losing the ends of you sentences.

    Clarence "small" sounded like smart

    Clarence 5.5, don't cut off Corey

    Corey you skipped a page from middle 5 to middle 6

    Clarence, you need to save Corey if he skips

    Corey, don't stutter

    Clarence 6.13

    Corey 7.1

    Clarence good cover

    Corey 7.2

    Clarence, be careful about saying Wagnerian instead of Vagnerian

    Hair, Gibsons need to be cleaner, they are lopsided

    Make-up, more aging on lady bracknell, make the lines either darker or thicker

    Algy's piano can be quieter. if it is at 10 make it an 8

    Corey you need to be careful about losing your physicalization

    Corey when gwendolen offers her hand to you take it right away

    Natalie good physicalization

    Colleen, nice sense of coming up with the lines as you speak them.

    Corey, don't sway

    Corey. 13.7 not a moments notice, its i can get it back at six months notice

    Colleen, nice projection and articulation

    Corey 14.2

    Colleen, I like how you look at your journal to remember whether it is james or thomas

    Corey, take more time to realize that the song is wedding march

    Corey, act more mad about Lady bracknell turning you down

    Corey, let us see the realization that gwendolen might become like her mother

    Corey, you are acting way to casual and happy to have the love of your life just taken away from you

    Clarence, we can see you take interest in Cecily as Jack is talking about it. Good jab.

    Corey keep the sense that you don't want to do anything because your so mad. That will motivate the idea that you are eased by seeing Gwendolen again

    Corey, Push the idea that you HAVE to be Earnest because Gwendolen wants you to be Earnest

    Clarence, when you freeze for the silhouette make your pose more of a cheers then a hail to the king

    Corey the end of the scene is about you being ignorant of the fact that Algernon has a plan to bunbury.

    Nick we will bring the lights up without them pulling up[ the grand curtains, when people are leaving for intermission we will pull the drapes

Act 2

    Miles great engery

    Miles do something with your arms, they look unnatural just laying there. when you do, do something with your arms us your whole arm not jeu from the elbow down

    whoever closes the curtains on stage left walk around the stage don't walk across it

    Bati make sure we hear Wicked

    Clarence ENUNCIATE

    Bati we are losing the beginning of your lines

    Clarence don't cut off Cecily's lines

    Prism, good timing on entrance

    Corey, late entraces

    Corey you look like your laughing when you are crying

    Miles, good reaction to, o yay I can do my speech

    Miles good physicalization

    Miles, when you are second guessing your lines you lose your voice, even if you are unsure keep you volume

    Corey, don't repeat words

    Clarence an dCorey, be aware of Cecily

    Matt, Articulate and SLOW DOWN

    Matt, before you say yes sir wait for Cecily's head nod, also have a little giggle about, "how cute"

    Clarence, pick up cues

    Bati be bolder when you day that you don't like the name Algernon

    Bati and Natalie, good acward pause

    Natalie truett is going to bring a smaller journal so we may not use the red one

    Natalie as soon as you start asking if you can look at her through you glasses get out your glasses

    Bati and Natalie, good reactions to each other

    Ross, footman should be wearing glasses, Let Matt use them too

    Cecily feel free to quickly shove the sugar in the cup

    Natalie it is a big deal that Cecily messes with your tea

    oss hav a bigger reation

    Corey have your arm around Gwendolens waist

    Natalie, have your back to Algernon when he enters

    Natalie, if the bag is giving you trouble don't fidget with it

    Corey don't be so relaxed. we need to see the difference between relaxed and happy jack and Uptight and angry jack

    Corey go for the Muffins right away

    We need to get the sense that this is a dual

    CUES

    Corey and Clarence the conversation should get faster not slower

    Jack 42.9 skipped

    Clarence good try on covering

    When you two come in

Act 3

    Natalie, you can wear the glasses around your neck cause that might be easier

    Matt and Ross synchronize your exits for the curtains

    Bati be more downstage

    Natalie and Bati, when you two are talking to them open more towards them and when you are whispering to each other curl up closer to eachother

    Gwendolen softer r in german

    Corey don't stand right infront of Algernon

    Corey, when you say we are be more apologetic

    Comic three need to be cleaner

    Clarence CUES

    Everybody CUES

    Natalie, enjoy the fact that he has everything that Layd bracknell wants

    Corey, don't touch Lady bracknell

    Colleen when you hear cecily is loaded look t the audience so we can see the excitement on your face

    everyone except jack doesn't know how rich cecily is so everyone look shocked

    Colleen look at cecily through th eglases

    Colleen 47.9

    Corey, play up "it pains me" it doesn't pain you at all but you have this power

    Corey, talk to Jim or Margot on how to say Perrie Joues Brut.

    JAck CUES, When you say you interrupt her, INTERRUPT HER

    Colleen good smugness at when Cecily is saying she can't wait

    Miles Great Enrergy, but pick up your cues

    Colleen nice reaction to Prism

    Colleen have your back turned when prism comes in

    Sophia, it sounded like you said Lady Brack instead of Bracknell

    Everyone careful with Handbag softer a

    Corey wait a little bit longer to start the sounds

    Props OPEN THE HANDBAG BEFORE IT GOES ON STAGE, corey check this before you go on

    everyone nice look at bracknell

    Corey More energy. most exited we have ever seen you

    Irrevocable

    Colleen, when jack calls you aunt augusta look shocked that he called you aunt

    Corey flip through the pages more

    Miles it looks like you are giving Prism a nck massage be careful

    Tempo keep building utill the end

    Colleen 54.6








No comments:

Post a Comment